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Markus Reugels

Equipped with a high speed camera and large, high resolution print outs used as backdrops... German photographer Markus Reugels captures the refraction of background images through falling water droplets.  

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Juha Arvid Helminen

A collection of photographs titled The Invisible Empire, from Finland-born artist, Juha Arvid Helminen. 

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Nicholas Alan Cope

Images from Nicholas Alan Cope's Personal Projects collection.

A Los Angeles based commercial photographer.

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Nick Knight for Dazed&Confused

Featuring Gareth Pugh

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Igor Siwanowicz

Igor Siwanowicz has spent years carefully acquiring, breeding and photographing praying mantises and other bizarre insects.

"I have always been fascinated by insects even from childhood," he says. "You could say that I am sort of a public relations representative in service of creepy-crawlies. I think mantids are totally slick and sexy, and have style. I take 'weird' and 'bizarre' as positive adjectives."

Apart from the standard challenges presented by close up and macro photography in the form of camera shake, operating with a limited depth of field and ensuring enough light is available, Igor must also contend with the temperament of his subjects. "Animals are very unpredictable and uncooperative, and there is almost no way to force them into collaboration," he said. "One can use tricks though - moths and butterflies are very docile freshly after hatching. Most otherwise fidgety insects can be approached early in the morning, when the temperature is low and their metabolism hasn't kicked in yet."

Igor cites his main influence as the works of the designer of the monster from the Alien films, HR Giger. 

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MANIFESTE FUTURISME

by Axel Engstrom

for The Ones 2 Watch

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Alphabets

Typography photography by Bela Borsodi

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Metamorphosis

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Mark Mawson

Australian photographer, Mark Mawson, develops imagery by capturing stills from dropping paint into water.

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The Dark Zoo

by Nicolas Evariste, a graphic designer/photographer from France

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Phillip Toledano

London based photographer, Phillip Toldedano, describes his work by saying "Photographs should be like unfinished sentences. There should always be space for questions."

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